Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Saturday, February 23, 2013

2013 Oscar Predictions

I have all kinds of things I want to blog about, and as sometimes happens in those kinds of situations where I have a ton of stuff to say, I find myself not blogging at all.

It's very frustrating.

I decided that with The Oscars on tomorrow night, and me having seen an inordinate number of the movies involved this year, that I should weigh in. Of course, with only having until tomorrow to make the predictions, here's what I'm going to do... I'm going to get those out of the way, and then once I feel like I have the time I'll talk about things like:

"Why the girl from Beasts of the Southern Wild is the most impressive marionette in history, but decidedly not an actress."

"Why Les Miserables is a hugely impressive movie that had absolutely no chance to make everyone happy."

or

"How I'd be fine with 7 of the nominees for Best Picture actually winning. Also Hell is frozen over."

Those are for another, simpler time.

Without further ado, my Oscar Predictions along with who I believe should win.

Best Original Screenplay:
Should Win: Django Unchained
Will Win: Django Unchained

Comments - Tarantino is a master on the page. I love his turn of phrase. There will be people who are turned off by the profanity, but.. you know... fuck 'em.

Best Adapted Screenplay:
Should Win: Lincoln
Will Win: Lincoln

Comments - I love Tony Kushner, and while some people didn't love how densely written Lincoln was, it takes an expert touch to write period dialogue that also conveys a lot of ideas without getting boring. Kushner nails it.

Visual Effects
Should Win: Life of Pi
Will Win: The Hobbit: An Unexpected Journey

Comments- A lot of folks didn't like The Hobbit, but the effects are great. They're also probably the only thing that doesn't suffer a little from the 48fps. Still... Life of Pi had a ridiculously lush feel, and also featured a CGI tiger that was extremely convincing. Also...a  better movie, by a lot.

Animated Short Film:
Should Win: Paperman
Will Win: Paperman

Comments: It's one of the most romantic shorts I've ever seen, and has a great visual style to boot.

Best Original Song:
Should Win: Skyfall
Will Win: Skyfall

Comments... c'mon.. It's Adele.

Best Score:
Should Win: Life of Pi
Will Win: Lincoln

Comments: It's a toss-up for me between the two, really, but I absolutely loved the Life of Pi music throughout, and John Williams' music from Lincoln is only the 10th or 11th best thing about that movie.

Best Foreign Language Film:
Should Win: I have no idea
Will Win: Amour

Comments... Think about it... The movie is nominated for Best Picture. It's not gonna win that, but doesn't that sort of automatically make it the best Foreign Language movie?

Film Editing:
Should Win: Argo
Will Win: Lincoln

Comments- I wouldn't be surprised if this goes to Zero Dark Thirty, because that movie has much snappier editing, but Argo was so well cut together, I don't think anything else was close this year. Heart-beating. Still... Lincoln's gonna take it, because I'm basically predicting that Lincoln's gonna take a lot of these close calls.

Documentary Feature:
Should Win: I dunno
Will Win: Searching for Sugarman

Comments: I have no idea... i'm a bad Cinema Junkie who didn't see any of these.

Directing:
Should Win: Steven Spielberg
Will Win:  Steven Spielberg

Comments: Had Tarantino or Affleck been nominated, this might be a different discussion, but since they're not I have to believe Spielberg has this in the bag, and probably should.

Cinematography
Should Win: Django Unchained
Will Win: Lincoln

Comments: Look... this is very close, but I personally prefer the more stylish Django to the more epic/cinematic Lincoln. If Lincoln wins, I won't be bummed, but I'd be more excited about a Django win.

Animated Feature Film
Should Win: Wreck-it Ralph
Will Win: Wreck-it Ralph

Comments: If it was just about the animation itself, I'd be totally down with Paranorman or Frankeweenie, but I just found the story and writing of Wreck-it Ralph to be so well done, that it wins. It's not like it looked shabby, either. It was really beautifully realized. (PS... i loved Brave also, but no chance.)

Supporting Actress
Should Win: Anne Hathaway
Will Win: Anne Hathaway

Comments: Seems like this one is already done, because she's won (and annoyed) at every award show so far. I am a big Amy Adams fan, and I'd love to see her win for something some time, because I think this is now the 3rd nomination for her, but it's not her year. The Master was too bizarre, and Anne Hathaway just crushes too hard.

Supporting Actor
Should Win: Christoph Waltz
Will Win: Tommy Lee Jones

Comments: Man... what a field, huh? All former winners. DeNiro!! I liked all of these performances except maybe Hoffman (I just hated The Master, kinda). Still... the real show was Christoph Waltz playing a truly memorable character. I loved his performance. Tommy Lee Jones was great, too, though and for the bigger winner overall. I'd be shocked if he doesn't win.

Best Actress
Should Win: Jennifer Lawrence
Will Win: Jennifer Lawrence

Comments: I'm fine with any of these women winning except for the kid. That's a whole other blog. Jennifer Lawrence is awesome, and definitely the best part of the movie. I kinda feel like she's got the momentum, and she's as deserving as any of these ladies.Except the kid. She's more deserving than the kid.

Best Actor
Should Win: Daniel Day Lewis
Will Win: Daniel Day Lewis

Comments: This one is tough for me, because I could definitely make a real argument for 2 of the other guys. Joaquin Phoenix was by far the most interesting part of The Master, and he is one of my favorite kooky actors out there. Hugh Jackman was almost unsung (ha!) in Les Mis, but as the Beefy Padre said "Oh yeah? Well YOU do it." That guy did a very strong job with an unbelievably difficult character. Still.. Daniel Day Lewis gave a performance that, if you ask me, is a one-in-a-generation performance. Years from now people will still talk about that performance in that movie.

Best Picture
Should Win: Lincoln
Will Win: Argo

Comments: As I mentioned at the top, I truly believe that 7 of the 9 nominees are excellent enough that I wouldn't be mad if they won. Any one of those 7 would have easily been the top choice ahead of The Artist last year. (The 2 others being Amour and Beasts of the Southern Wild, one of which just has no chance, and the other isn't really all that good respectively. ).

Still... When all is said and done, I say that the argument can truly only be made for 3 of these. Lincoln, Argo, and Django Unchained. In 30 years, these are the 3 that'll be debated as being "All timers". And if I'm being honest with myself I just have to go with Lincoln. It was affecting, beautifully acted, and tightly written. It was directed by a living legend, led by a performance by another living legend, and written by one of the great playwrights of our generation. It's as close to a no-brainer as I can think of, and yet...

I think Argo will win. It's got the momentum. It's a movie that gives a giant tip of the cap to the movie industry. It's exciting, smartly directed, and is just super in its own right. Do I think it should win? No. Will my feelings be hurt? No. It's awesome.

Now... Let's see how wrong I am tomorrow.

Thursday, July 12, 2012

Not So Magical


One of the more nuanced moments of Magic Mike

I went to see Magic Mike.

Alone.

My period didn’t spontaneously begin.

That is not to say that I would go out of my way to see it again (I wouldn’t), but I want to talk about it for a bit. I also want to talk about the looks I received when purchasing my ticket, the snickers I got from the hoard of teen girls in the audience (for a Rated R movie!) as I walked in to the theater, and the looks of amusement and/or the audible surprise from literally everyone I’ve told about my experience.

First, let’s talk about this movie… It wasn’t that great. Not because it was chock full of greased up, mostly naked dudes. I mean.. it absolutely is chock full of greased up, mostly naked dudes, but I feel like those greased up, mostly naked dudes are not why the movie isn’t great.

The movie wasn’t great because almost all of the characters are dicks (figurative ones… sheesh).

The dramatic arc is pretty weak. The 2 major conflicts are both telegraphed from miles away. (What? The girl who they identify ONLY as trouble actually IS trouble? You don’t fucking say.) Neither of the major conflicts are particularly concerning, because one of the main characters you are mostly supposed to dislike, and the other is better off anyway.

They try to establish the Channing Tatum character as this care-free playboy, jack of all trades, artist or whatever. Instead, he’s written as clingy. You never actually see him creating his art. You never see him being good at his other various jobs. They do their best to establish him as a dude getting his life together, but for all the money he supposedly makes in all of his jobs, his well-established nest-egg is pitifully small. Basically, the character you’re supposed to like the most for all of these reasons is really only likeable because he’s Channing Tatum.

The first love interest, played by Olivia Munn, is an amoral “free spirit” who starts off fairly likeable and gets to be a cartoon. The second love interest, played by the daughter of newly appointed Disney Studios head Alan Horn, starts off overly stern and officious, and then just seems to change her mind. (I especially liked how her “boyfriend’ is immediately established as a douche. Like… you don’t like him immediately, and that seemed cheap.

Some stuff happens.

Then it just ends. It’s supposed to be cheeky (no pun intended), and naughty, and all “whatever, we’re rated R”. It mostly just comes across as an excuse to display the undeniably impressive abs of several 2nd tier Hollywood actors.

The main laughable thing is that Matthew McConaughey is getting some sort of bizarre “best supporting actor” buzz. That’s totally insane, and a clear attempt to try to bring legitimacy or… something…. to a movie that really should just embrace the silliness.

I feel like if the movie was directed by someone else, I wouldn’t be cutting it down as much. If it were directed by Joe Johnston or some anonymous rom-com director, I think my issues would be framed a little differently. It really is just a silly movie full of eye candy for both sexual preferences (there are a lot of boobs in the movie, and it is my suspicion that there are even more that will be in the unrated version).

Unfortunately, the movie was directed by Steven Soderbergh. The same guy who directed Traffic. Ocean’s Eleven. Contagion. Movies with real points of view. Movies that are more than just a bunch of greased up dudes showing their asses (literally). The man was the first person in 60 plus years to be nominated for Best Director twice in the same year. I had higher hopes is all. Unfortunately, something got in the way, and I’m not quite sure what it is. There’s a nugget of a good movie somewhere in there. Maybe we just needed Don Cheadle to show up and cause some trouble. In an inexplicable British accident.

Overall… I give the movie a C-minus. Could have been much better.

Let’s talk for a minute, though, about the way the movie has entered our collective consciousness. Somewhere along the way, it’s been adopted by horny women (it’s really the era of Horny Women, isn’t it? What with Magic Mike and 50 Shades of Grey ) and gay men. That’s cool, you know… Everybody needs a movie to grab their attention. I just can’t think of another movie in my memory that has been so completely coopted that literally any other demographic of audience member risks ridicule.

I’ve gone to dozens of movies by myself. In fact, I mostly prefer it. Also, I don’t care if people think I’m gay. The people who need to know my sexual preference know it, and the rest of the world is free to speculate. I just think it’s weird that something as silly as a movie could even at all inform my sexuality.
Let me pose a question for you…

If there were a sports movie about a male swimming star… would that be off limits to sports fans because of the dudes in speedos? What about a movie about Greco-Roman wrestling?

I understand that some gay men and straight women might like to check out the greased up dancing dudes, and that’s cool. What if I just wanted to see a movie by the director of one of my favorite movies of the past 12 years? What if I have a thing for Olivia Munn? If a movie is good, I have no problem with seeing naked guys. It’s no different than straight women and gay men being subjected to the naked women who have proliferated movies for like… ever.

I hate it when I ramble… Here’s my point.

I think it’s time to stop assigning movies, people, songs, whatever to various groups. If I want to enjoy a Judy Garland movie, I should be able to without jokes and giggles. If a woman wants to go by herself to see some movie about football (Not a rom com that features football players) she should be able to without people throwing her a sideways eye. If a gay man wants to write a blog about hockey, he should be able to without fielding the numerous “but… I thought you were gay” questions. (Is that even a question?)

Of course, to make strides, we all have to play the game. We have to break down the walls of taboo.

We must go see fluffy ab-porn movies if they look remotely entertaining.

Just maybe not this one. Because it was dumb.

Coming Soon to the Blog: My Top 10 Broadway Musicals (I'm really throwing that gaydar for a loop today, I bet.

Thursday, May 3, 2012

My Titanic Blog


 The makings of a much more interesting film.

[Editors Note, written immediately before posting]
I haven’t seen
Titanic since December of 1997. That’s on purpose. I’ve accidentally seen random scenes here and there on TV, but other than that, my memory of the film is ENTIRELY based on my recollection from that one, single viewing. I wrote this blog over the course of a couple of weeks, and I discussed some of my points with some known Titanic fans throughout the process. I’ve come to realize that some of the details of my arguments (specifically relating to the ins and outs of the specific plot) are possibly not entirely accurate. I’ve decided to leave the points as-is, and am planning a follow-up post where I re-watch the film in its 2D entirety, and adjust my opinions as needed. I promise to be honest with my re-assessment.

Okay, so it’s no secret that I think Titanic is just about the worst. I’ve stated it on numerous occasions. I’m not trying to hide the fact.

I guess I just always assumed that I’d established my full argument as to WHY I feel that way, and looking back through the blog, I realize I never really have.
My friend Annie, who has appeared as a guest blogger here before when talking about Disney, has thrown down the gauntlet, and essentially accused me of hating it only because it’s popular.
Being a Muchacho of honor, I have decided to finally and officially break it down. I assure you that Titanic’s popularity is only a small reason I hate it.

First off… I don’t hate Justin Bieber. I don’t hate Miley Cyrus or Katy Perry or Avatar. At most, I have no real opinion at all of Bieber. I can’t name a song of his, I didn’t see his movie. My only thought about Justin Bieber is that he makes me feel old. I always have this sneaking feeling that if I were 17 I would understand his deal, and I feel like I’m so far removed from knowing his deal that it sort of depresses me.
Avatar… If I’m being honest, I have to say I don’t get it. I mean… I liked it as much as the next guy, but I don’t get why this movie earned more than any other movie ever. Despite that disconnect, I have no real negative feelings about it. If it had beaten The Hurt Locker for Best Picture, I’m fairly sure my perspective on the movie wouldn’t change. I’d certainly yell and rant that it didn’t deserve to win Best Picture, but I do that with Chicago also, and I like Chicago just fine.
I guess the heart of this first point is that I’m not anti-populist. I am no hipster who intentionally seeks out only the most obscure and off-the-beaten-path movies to like. Shit… My favorite movie of 2012 so far was The Hunger Games, which is arguably targeting the same people that Titanic targeted 15 years ago.

Titanic’s popularity isn’t what makes me hate it, and more importantly, it’s not what makes me argue that it’s actually not good. It’s part of what makes me argue that it’s the worst movie ever made, but I’ll get to that…
I guess I have two separate arguments, really… The first is that Titanic isn’t a good movie, and the second is that Titanic is the worst movie ever made.

That sounds like varying levels of the same premise, but really they’re very different, because while there are a million terrible movies made every year, there’s rarely a movie, no matter how bad it is, to merit consideration in the “Worst of All Time” race.

Let’s start off with why I think it’s a bad movie…

1) The main characters are almost entirely unlikable.

Jack Dawson is a smug little d-bag who you’d likely want to punch if you met him in real life. He’s the guy who sings “I Gave My Love a Cherry” and says all the right things, and offers to draw her. Amazingly he’s awesome at guitar and he’s awesome at drawing, but certainly that is merely coincidental to his volunteering.

The Kate Winslett version of Rose is okay I suppose. Sure, she’s flighty, but she’s young and it’s Kate Winslett, so it’s to some degree forgivable. Although, the fact that she tolerates Billy Zane for even a half a second makes her unlikable by association alone. HOWEVER… that old lady version of Rose is the absolute WORST. Think about this for a second… That old crone dragged a whole team of scientists out into the middle of the North Atlantic to search for “The Heart of the Ocean”, when she really had it the whole time. And then, once they decided it was a lost cause, she tosses it! How many millions of dollars did that damned expedition cost? Just so she could hitch a ride to say farewell to the love of her life who she knew for two whole days. Blech… I hate that old lady. Thank god Britney Spears’ astronaut boyfriend retrieved it for her, or that priceless artifact would still be at the bottom of the ocean.

Oh… and maybe it’s a personal objection, but I feel like the relationship between Jack and Rose could have existed just as easily without the existence of Billy Zane at all. They could have given her some other hoity-toity rich girl issue that Jack breaks down, but instead they just make her a girl who cheats on her fiancĂ© (odious as he may be), and that seems unnecessary and unseemly.
2) The tertiary characters aren’t much better.
The Italian guy who might as well go around the whole movie going “Thatsa bigga pizza pie!”, or Kathy Bates as Molly Brown, the most broadly painted character in history. Or the aforementioned Billy Zane, who may as well have been wearing a Snidely Whiplash mustache he was so fucking evil. There’s no grey area with any of the characters. The Italian guy is merely Italian. Molly Brown is a damned quote machine. Billy Zane is only missing the railroad tracks and rope.

3) The movie is way too long.
I’m sorry… but it is. Three hours and fourteen minutes. We’re not talking about The English Patient, a love story that spans years. We’re talking about a movie that lasts longer than the actual sinking of the ship. If the writing was good, or if the characters were super charismatic, I’d give it more leeway, but it isn’t. Don’t get me wrong… I don’t shy away from an epic. I love all three Lord of the Rings movies, and they’re all longer. Again, though… the justification for that is that the story spans months of time. It takes place in a hundred locations. The books are hundreds and hundreds of pages. What it always struck me is that Cameron was TRYING to make something big and long and epic. It was a show-off thing. It was also a lazy thing, because maybe a couple fewer loving shots of the boat (that look like matte paintings anyway) and maybe one or two fewer annoying scenes between Rose and Billy Zane… You may have yourself the start of a picture. Oh… and the framework scenes with Bill Paxton, at his absolute worst, talking to the old lying lady… terrible. I don’t care.

In the end, the only explanation for it is that Cameron is overly self-indulgent (Also potentially explaining Avatar’s GIANT run time. I mean… learn to use AVID for fuck’s sake.)

4) There are a lot of manipulative movies, none quite as overtly so.
I’ve often said that the movie is manipulative, and I stand by that. There was a counterpoint made that a lot of movies are manipulative, and yes… that’s totally true. The Pianist is a decent movie that loses points because a lot of its emotion stems from it being set during the Holocaust. That’s like hitting a ball off a tee. It’s easy to make people cry about one of the worst things to ever happen on the planet. One of my favorite movies, Saving Private Ryan, includes a scene at the end that is acutely designed to make a person weep. The primary difference is that while there are manipulative scenes in most movies, Titanic seems to be set to manipulate and steer through every scene from start to finish. One would argue that this is called “Directing” and as a theatre director myself, I can see that logic, but sometimes the better choice is to let the material do it’s own talking. Presenting something simply can be just as powerful, and not quite as overtly manipulative. I’m talking about watching Thomas Andrews setting his clock, or the old couple cuddling on the bed as the water fills the cabin, or the all of the lingering shots of the poor people drowning. I get that many of those things happened (poor people dying) or may have happened (nobody fucking knows about Andrews, besides that he went down with the ship, like most men on board, and those old people are pure fiction.)… That leads me to…

5) Something about it feels gross to me.

The Titanic was a real ship. With real people. Who really died.

“But wait, Muchacho… What about: Glory, Gettysburg, Saving Private Ryan, EVERY WAR MOVIE EVER?”

Yeah, that’s true too. Except that I kind of feel like every one of those movies is primarily about those events, or honoring those events in some way. I have always felt like Titanic was James Cameron’s project ABOUT a love story that happens to take place on The Titanic. I just feel like it’s somehow disrespectful. And when you lionize fictional (and unlikeable people) while there are real, and powerful stories to actually tell… it just feels like you’re talking out of both sides of your mouth. On the one hand, you want to show off how historically accurate you made the ship, and how much you care about deep sea archeology. On the other hand, you ignore a hundred compelling TRUE stories and completely make one up about a slick, boyish con artist and a overly privileged rich girl who also cheats on her fiancĂ©.

Maybe I’m wrong, but it just feels icky.

In fairness, I also felt that way about National Treasure when Nic Cage was tossing the Declaration of Independence around, and shooting up Liberty Hall. It just gives me the willies.

So anyway… that’s the primary thrust of part one of my argument that Titanic is not a good movie. I have other, more petty, less reasoned…um… reasons, but I don’t want to like…go on and on when I’m maybe only about halfway through.
__________________________
Now, on to how I can possibly call this movie, even if we’re all accepting that it’s bad, the Worst Movie of All Time.

This is a more complicated premise, because, well… there are some horrific movies out there, and it’s very difficult to make the argument that Titanic, a movie with undeniable technical prowess, and clear talent can be worse than a movie like Manos: Hands of Fate, or Plan Nine from Outer Space. Both measurably bad movies.
In fact, almost all evidence regarding Titanic would lead me to the counter argument, that it is, in fact, the GREATEST movie ever made. It won Best Picture and Best Director. It made something like 650 million dollars at the box office. Meaning that it was both critically poplular and popularly popular, which I will grant makes my argument possibly silly. Well… it’s my argument, and I’m gonna make it.

Obviously, in order to buy into my opinion that it’s the worst ever, you have to first accept that my primary premise is correct.. that the movie is, in fact, bad. So I’ll assume we agree on that point. Or at least that I swayed you. Hooray!

As I said before, there are a ton of bad movies. My buddy Brawny Hombre would argue that Bad Movies are actually the best movies. He would also argue that movies like Armageddon are bad, and while that may be true, I don’t think he’d argue that it would be in the conversation for worst ever.

What is the difference, then?

Well… in the case of Plan Nine From Outer Space, it’s the sheer, willful, almost GLEEFUL way Ed Wood ignored every facet of the production. Writing. Continuity. Acting. Direction. These were all secondary to “Getting the movie made” and that showed in every frame. When Bela Lugosi died during filming, he merely hired his dentist to walk around with a cape over his face and simply believed nobody would notice. Scenes change from Night to Day to Night depending on what angle he’s shooting from. It’s a train wreck. It’s really, really bad.
In the case of a movie like… Showgirls, the production value was largely fine, but the writing and acting completely sunk it, as did it being fully lacking in even a modicum of self-awareness. It’s so goofy and weird and badly written and acted, but you know that they believed they were making art. It’s the obtuse self aggrandizement that makes it especially bad.

For Titanic, I believe that it boils down to 2 major things.

1) James Cameron fully believes it is the greatest movie ever made, believed it when he was making it, and made it with the intention of it ultimately being that. The mere fact that he set out to do it, and it ended up being bad (as we accepted) puts it in the conversation. I have a problem, as a director, with directors in general overstating their own importance, brilliance, talent, genius, etc… The sort of shameless self promotion turns me right off. Even 15 years later, James Cameron re-released Titanic and acted like he was gifting it on us or something.

I can just picture him saying something like : “I know you’ve been slogging your way through year after year of marginal movies by marginal directors… you know.. aside from my very own Avatar, but not to worry… I’m here to solve your boredom and lift you out of the doldrums of film watching by presenting you… with a movie you’ve already seen a million times. You’re Welcome.”

The whole attitude is off-putting. Michael Bay makes explosion vehicles. He knows it. We know it. He accepts that’s his lot, so when he makes a clunker, we laugh and it goes away, and then he makes another movie with explosions, and we either like it better or worse than the one before. Michael Bay knows who he is. James Cameron insists on telling us what kind of genius he is, and it pisses me right off. The primary vehicle for him touting his genius is Titanic, which… as I already explained, isn’t even any good.

2) The main reason I believe it’s the worst ever, is because “Worst’ is relative. And Titanic has the greatest (by a country mile) disparity between actual quality, and purported quality.

Ed Wood liked Plan Nine, but he never said it was a masterpiece. Oliver Stone would never call Alexander his best film, unless he was just being belligerent (a real possibility).

There are many movies that, in a vacuum, are far worse than Titanic, but the claims to greatness… the utter insistence from the legions of fans that it’s the BEST MOVIE EVAR, the willful ignorance of any type of disputation, the OUTRAGE and SHOCK when a person even deigns to suggest it isn’t the GREATEST movie ever made automatically makes the chasm between actual quality and purported quality so great that no other movie can match it.

So that’s my argument. Titanic is the worst strictly in terms of proportion. If Titanic had simply been presented without comment, and had lived a fairly quiet life, I may have very different feelings of it. Even if it wasn’t quiet, and still made a crapload of money, like Avatar, but didn’t hold itself out there as being so fucking fantastic…

You could say that part of this argument is that the popularity of it makes me not like it, but that’s a real oversimplification, because there are tons of movies that I love that are also popular. And books. And TV shows. I love Pirates of the Caribbean. I love DISNEY movies. I love The Hunger Games. None of those would lose a popularity contest.

I hate that Titanic is so popular because it is bad. I don’t think Titanic is bad because it is popular. So I dunno… Maybe it is exactly what it looks like.

Wednesday, April 25, 2012

Blogging About Blogging.



What’s strange about this particular lapse in blog updates is that I’ve been blogging my ass off.

I mean, the first and most obvious location I’ve been blogging is my Disney Blog, where I recently talked about all the latest news surrounding the closure of Epcot’s Test Track for refurbishment.
Most of my blogging has been behind the scenes, though, where I’ve been working on three huge movie blogs. It’s just that none of them are ready for print yet, so I thought I’d put a little interim blog together… about the 3 blogs I’ve been working on.

Blog 1 is the second half of my “BEST Best Picture” of the past 20 years. As of now, I’m down to eight finalists, and I’m still not totally sure how to pair them up. I think it’s gonna end up being a random tournament where I draw up a bracket and have essentially 3 more rounds of competition ending with a final round pitting to top two “Best Picture” winners. The idea is that.. there’s not really a good or bad draw for any movie, since the quality of the movies don’t change based on the matchups. If Movie A is better than Movie B, it will always win. That also would mean Movie B would not EVER win this tournament.

In fact… Let’s announce the bracket now… (The matchups were randomly determined by a co-worker who didn’t know what he was picking.

Schindler’s List vs. No Country for Old Men
Unforgiven vs. Forrest Gump
The English Patient vs. The Return of the King
American Beauty vs. The Hurt Locker

So… stay tuned for the final half of that tournament.

Blog 2 is my explanation of why I hate the movie “Titanic” so much. This one is taking a while for two reasons. Partly because I feel like I’ve made this argument so many times over the past 15 years that I almost feel like my points are too plentiful at this stage, so I’m working on narrowing it down to just a couple of key reasons. I’ve been accused of hating it for reasons that I don’t hate it also, so it’s important that I focus on my actual reasons, and not worry about refuting.

Partly, and more importantly, I keep debating whether I want to go see it in 3D in this recent re-release in order to a) give it one more chance and b) to better pinpoint the exact things I hated. I’ve only seen it one time, after all. It’s hard to believe, isn’t it? The movie I tout as being the worst of all time, and I’ve only seen it once.

What I find most interesting, though, is that people seem to be less enthralled with it in this re-release. I’m kind of curious as to that too.

Blog 3 is a new one that my friend Alan (The Brawny Hombre) got me started with last night. It’s probably the longest winded one of all, and I have absolutely NO idea how this is going to work in practice, but he’s so intrigued by the Best Picture blog that he’s encouraged me to write a whole separate blog about the Best Movie Overall of that same time period.

That’s an insanely daunting task. So far we’ve started by listing our top three movies for each year, beginning in 1990 (Goodfellas, Edward Scissorhands, Total Recall) and going all the way through to 2011. We spent the whole night (He also has a third shift job, so we regularly bounce e-mails back and forth when our shifts line up), and we only made it through 2003 (Return of the King, Pirates of the Caribbean, Seabiscuit). Not only do we have 3 movies listed for each year, but we have a huge list of “Also considered” movies, which is currently almost 70 movies all on its own. The idea is… once we’ve determined the best 3 for each year, and we have the giant pool of also considered, we’ll go through and see if there are any things that have to be swapped out. Then we have a good old 64 movie extravaganza.

It’s all very scientific, I assure you.

So far, some quotes from the discussion include:
Me regarding the possible inclusion of “Contact” in the best movies of 1997:
“Absolutely, unequivocally, no. Contact is not ever in the top three movies of that year. I’m almost positive that Jodie Foster would agree.”

Alan regarding the fact that the discussion lasted through till morning:
“We should probably table this for now.  It's hitting the busy morning period when the buffoons begin waking up and inflicting their ineptitude on the world around them (i.e., me). “

I’m already finding a glaring hole in the matrix (Not ‘The Matrix’), which is that Royal Tennenbaums neither made the final cut for 2001, nor was it mentioned at all. Mistakes all over the fucking place. Embarassing.

So… You’ve all got those blogs to look forward to, in some order. Almost certainly the Best Movie Tourney will be last, and potentially in a series of posts as opposed to one 50,000 word monolith. Maybe I should just compile the discussion and make a book out of it.

I have every intention of writing about something other than movies at some point, but until The Crucible is done (next week), I’m pretty wiped out creatively.

I was considering writing a blog about the HBO show ‘Girls’, which I find bad, almost to the point of being repugnant.

Monday, April 9, 2012

A Battle Royale



I recently blogged very briefly about The Oscars, and during that I mentioned the idea of having a “Best Picture Tournament” where I very scientifically determine the BEST Best Picture winner of the past 20 years.

By “scientifically” I mean “based on my own very special criteria that varies by the day, and generally boils down to my personal taste.”, but I realize that my just saying so doesn’t make for a good read, so here’s my thought process..

The Movie Enema (aka The First Eliminations)

The criteria for this level of elimination comes down to this: How does the winner compare to the other movies nominated that year? If the movie shouldn’t have won its own year, it is immediately disqualified. Seems fair right? Glad we all can agree…

Titanic, 1997.
Look…I could write a whole blog about why this is the worst movie ever made. I probably have. This is an unpopular opinion, but it doesn’t make me wrong. Let’s talk about Titanic for just a second… Bad script? Yes. If someone tried to make the argument that they were going for period camp… I could possibly get behind it if everything else wasn’t taken so seriously, or if for that matter, it wasn’t about a horrible tragedy, which isn’t exactly fertile ground for campiness. Manipulative? Yes. Any time you show old people embracing in bed as the ship goes down… there is literally no purpose behind that other than to make people cry. Bad acting? Yes. Sorry Leo fans… he’s just not good in this one. Flawed premise? I just can’t get past the part where the old lady drags all of those people out there to search for the big diamond, and she had it with her the whole freaking time. I can’t get past it. That lady would have gone overboard.

It’s all too much to take. And it’s the worst movie ever made because the actual quality, when compared to the overblown opinion people have of it, creates the largest gap between reality and perception. That’s what makes it bad. If people accepted it for just being a fun (as fun as trivializing the deaths of hundreds of innocent people can be) spectacle, I’d have far less issue with it. In this case, it was a Best Picture winner, beating more deserving movies like L.A. Confidential and Good Will Hunting, both of which had better stories, better acting, and better writing. L.A. Confidential, had it won, might have made a run in this tournament.

Shakespeare in Love, 1998
I could go on about this one too, but I won’t. I’ll simply say… In 50 years people will be talking about one of the nominated films from this year as being among the greatest films ever made. That movie isn’t Shakespeare in Love.

Saving Private Ryan was so definitively a better movie in nearly every way.

The only edge I’d give Shakespeare is with Tom Stoppard’s very clever script.

Saving Private Ryan revolutionized war movies (a longtime anchor genre in film history). I know this doesn’t really mean a lot to many people, but Steven Spielberg made war movie that makes every war movie made prior to it seem watered down in comparison, I think the most amazing thing about it is that you’re never once thinking “wow… that was gratuitous” (as opposed to a movie like… The Passion of the Christ where I spent most of it thinking “Wow… that was gratuitous”).

I’ll also say that when you have a movie about a war, where the actual veterans of the war view it as a historical document rather than an entertainment, you’ve got something important on your hands. Sometimes (Not always) historical significance needs to be considered. Especially when compared to something as silly (albeit entertaining) as Shakespeare in Love.

A Beautiful Mind & Chicago, 2001 and 2002 respectively.
These two movies are grouped together, because they’re out for the same reason. They beat the first two Lord of the Rings movies for no reason aside from the fact that the Academy was “holding back” to reward LOTR after the 3rd installment. That’s a terrible reason.

There’s nothing particularly wrong about A Beautiful Mind or Chicago. They feature great production values, and excellent performances. In fact, I believe Russell Crowe should have won Best Actor for A Beautiful Mind, and NOT won for Gladiator (another day, Muchacho… Another day…). Chicago was being touted as the return of the big movie musical (except that nothing since then has been as good, and then they stopped again.) They’re both really good… I’m not denying.

Sorry, though… Fellowship of the Ring and The Two Towers are both JUST as amazingly crafted as their Oscar-Winning brother, The Return of the King. Some would argue that they’re more tightly edited, since everyone seems to point out the silly multiple endings of ROTK. If you stated that Two Towers was the actual best of the 3 movies, I’d have a tough time disagreeing.

Million Dollar Baby, 2004
This is a tough one for me, because I like Clint Eastwood (more on that later), and Hilary Swank was definitely great, as was Morgan Freeman. Million Dollar Baby is a really excellent movie. This just happened to be a year where there were a ton of excellent movies out there, and if I’m being honest, I don’t think it was the best one.

In fact, I’d say that it was the 3rd or 4th best of the nominees, overall.

The Aviator should have won. This is the DiCaprio Epic that stands out for me. His performance is great. Scorsese’s direction is great. The Cinematography (by the same guy who just won for Hugo) was beautiful. It’s an interesting story, about an interesting guy, featuring several high profile performances of a high quality. It’s a period piece. It hits all the buttons. It’s a great movie.

Oh, and if the Aviator doesn’t win, Sideways should have. Or Finding Neverland. I see the arguments against Finding Neverland as being the most valid. They took pretty significant liberties with the actual person of James Barrie, and glossed over a good bit of the strangeness of him. I guess if you’re making a Biopic of someone, you should probably be truthful. Either way, I readily admit it never fails to make me cry. Also, and this may be blasphemy coming from a Disney fan, but this is Johnny Depp’s greatest performance of the past 10 years. Jack Sparrow is a close second.

If you realllllly pushed me, I’d concede that if you put Million Dollar Baby, Finding Neverland, and Sideways in a hat and pulled out one winner, I’d be fine with any of the three, but The Aviator is clearly the best of the bunch.

Crash, 2005

I won’t even dignify this with discussion. Brokeback Mountain should have won. Perhaps it’s become a bit of a punchline for homophobes everywhere since then, but this was Heath Ledger’s true break-out film. He was phenomenal in it. It’s a great movie. Sorry.

Slumdog Millionaire, 2008
I really don’t get why everyone loves Slumdog Millionaire so much, and in fact… it sure seems like there really isn’t all that much love for it. Nobody really talks about it anymore, except for Aziz Ansari, and he only mentions it as part of a joke about how awesome it must be to be white.

I really believe that The Curious Case of Benjamin Button is a better choice, ultimately, even if it was a little long, and the weird framework surrounding Hurricane Katrina was…well.. weird. Brad Pitt gave my favorite of his performances. Cate Blanchett was equally excellent. The story was appropriately sweeping, the effects were always effective and never too showy. There were parts of great emotion, and humor, and pathos. Interestingly, I think I like it more on 2nd and 3rd viewing than I did on the first. It really grows on me the more I’ve seen it.

The Kings Speech, 2010
I’m just going to chalk this one up to the apparent yearlong blow job to the United Kingdom. We may as well have just re-upped as a colony, since the Brits made the Oscars their bitch this year.

I’ve seen most of the TEN films nominated this year, and of them, here are the ones I thought were better than The Kings Speech:
The Social Network, Toy Story 3, and True Grit.

The Academy seems to have a thing against Aaron Sorkin, so The Social Network had an uphill climb. If you couple that with the idea that The Social Network was very much a film of NOW (in that it’s not timeless), it seemed unlikely to win. I think sometimes, when convenient, the Academy takes it upon them to give a nod to posterity, and I’ll grant that The Social Network wouldn’t age well, necessarily. Except that it’s amazingly written, and expertly acted. Toy Story 3 was a sequel (strike one) and animated (strike two). True Grit was a remake of a beloved John Wayne movie, and if there’s anything Hollywood loves as much as the British? It’s old Hollywood. As evidenced by The Artist. Oh… that brings me to…

The Artist, 2011
If there’s ever been a movie designed to win an Oscar in today’s environment, it’s The Artist. It’s… French, which is sort of the “in” thing (See: Midnight in Paris, Hugo, and War Horse which all at least in part take place in France). It romanticizes old Hollywood, which is like sweet, sweet kitten blood for the aging Academy voters. It features a cute dog. It features a handsome French star that eliminates the language barrier by never speaking.

I’m not saying The Artist is bad. In fact… I’d not say any of the movies I’ve mentioned are actually bad, except for Titanic. I just think it’s a silly, trivial movie that happened to find the exact perfect atmosphere to flourish. Probably the most telling thing is that it may have spoken to voters in some way, but generally it didn’t speak to audiences equally. It’s one of the lowest grossing Best Picture winners ever. (even adjusted for inflation). So… what deserved it more? The Descendants and Moneyball definitely. Probably Hugo, too, though I didn’t see it.

----

So there we go. I’ve already eliminated 9 of 20 eligible movies and we’ve barely broken a sweat.

Elimination Number Two. (Too Easy)

My next “weed-out” involves Best Picture winners who rightfully beat the movies it was up against, but weren’t as good as another un-nominated movie that came out that year.. I’ll grant this opens up the discussion, potentially to a huge number of movies, so I’m limiting the “other movies” to ones that were nominated in at least one other category.

So… let’s see… We can now eliminate:

Braveheart, 1995
Sorry Mel Gibson, but even though I prefer your film to the other Best Picture nominees, I found at least 2 other movies that each are better than Braveheart. I have to believe the Academy was totally on crack this year, because here are some of the movies that were nominated for at least one Oscar, but not for Best Picture…

Toy Story (!!!!) I know… It’s an animated movie, so it stood about as much a chance as I did, but if you consider it was nominated for Best Original Screenplay (that’s a huge one), and if you also consider it was the first major Pixar release, which maybe makes it more of shame in retrospect since Pixar who has completely owned the animated feature category unlike any other group in any other category. How the Academy couldn’t recognize a revolution in animation and storytelling is beyond me… I don’t know… Being a Walt Disney fan, I think a lot about animation and its evolution… Maybe it should have won something like those Seven Dwarfs statuettes they gave Walt when Snow White came out.

The Usual Suspects. This movie has one of the greatest endings in the history of movies. It also boasts an acting Oscar for the previously lesser-known Kevin Spacey. Oh, and it has about 20 great scenes. Also… One super awesome slo-mo coffee cup.

Many people would also argue Casino was better, and I won’t stop them, even if it’s not my favorite.

Honestly, this came out in a period of 2 years where I paid very little attention to The Oscars. Maybe it’s because I was a teenager, and it wasn’t cool or whatever, but I just wasn’t all that aware of what was happening… I don’t know what it was about Braveheart that captured everyone’s attention. Just seems like 1995 was a good year for movies, just not nominated ones.

Gladiator, 2000
I’ll admit that if taking in just the field of Best Picture nominees, Gladiator takes it hands down. However, to this day, I can’t understand how Almost Famous didn’t get nominated. It won for Best Original Screenplay, and had 2 acting nominations in the same category. Almost Famous is one of my favorite movies of the past 10 years, as I discussed in more detail on my January 2010 post where I talked about my favorite movies from that decade.

One could potentially champion O Brother Where Art Thou? As another more deserving film, but I won’t. I love it, and it makes me laugh, but it’s got a lot of problems.

The Departed, 2006.
Wha????? That’s right.
I love The Departed, but there are two movies from 2006 that I believe were clearly better.

Pan’s Labyrinth. Somehow the Academy decided that a win in the Best Foreign Language category somehow makes up for the insane slight of not putting it up for the big award. It’s an absolutely engaging, amazing story with beautiful imagery, haunting cinematography, spectacular acting and art direction, and one of the most indelibly creepy performances of all time (Sergei Lopez as The Captain).

Children of Men. When I wrote that blog about the best movies of the “Aughts”, I proclaimed this one the best. It wasn’t nominated for Best Picture, which is a total joke. I can’t really even get into the many, many reasons. It’s got an intriguing story. Excellent performances. My favorite soundtrack of any movie ever. One of the most insane tracking shots ever filmed. Then a whole other insane tracking shot that would take the title if not for the first. It’s really got everything. It’s emotional, political, lyrical, fluid. To this day, I don’t understand how it wasn’t nominated. Until I get an answer, The Departed’s win gets a big fat asterisk.

That about wraps up round two.
So… we now have a more manageable field of films to work with…The Semi Finalists are:

  • Unforgiven
  • Schindler’s List
  • Forrest Gump
  • The English Patient
  • American Beauty
  • The Return of the King
  • No Country for Old Men
  • The Hurt Locker


To be continued… maybe next week? I’m not sure, but I do need to come up with a more clear set of criteria to start eliminating these final eight movies, all of whom were the deserved winners in their respective Oscar races.

Wednesday, March 14, 2012

Sad Face



I went to a movie on Monday, and I found myself getting a little weepy during the trailers. That’s right… The trailers.

Well.. One trailer specifically. It was for a movie called “Bully”. It’s a documentary that addresses the growing issue with bullying in our country, and specifically focuses on a young kid currently dealing with being bullied as well as the families of two young men who killed themselves over excessive bullying. One who suffered from Aspergers Syndrome, when he was 17, and one who hung himself at age 11. Fucking ELEVEN.

What can I say? I was affected.

I better clarify right off the bat. I was never, myself, truly bullied in school. I was always a nerdy, overweight kid, but I had just enough sports aptitude and just enough ability to bullshit that I was never the biggest target in any room, and I normally fit in adequately enough to avoid being the brunt of any bullying attack.

That said, very few things make me more profoundly sad and angry than when I hear about kids being so upset by bullying that they take their own lives.

Sometimes I wonder if maybe kids today just simply aren’t as equipped to handle themselves as they were even as short a time ago as the late 80s and early 90s when I was a grade-schooler. The more I think about it, though, the more I think the bullying actually is worse, and I start to wonder what life would have been like.

I never had a friend kill themselves because they were bullied, and I don’t remember even hearing about it happening anywhere at all, but I also didn’t grow up in a time when you can’t escape your bullies, even in your home.

I recently had a birthday where I was so overwhelmed by the positive messages I received that I declared Facebook the greatest thing to ever happen to birthdays. That may be true, but the advent of instant messaging and social media has had an ugly side effect where kids can’t escape their bullies.

Once upon a time, we were all told that the best way to stop a bully was to stand up to them. Maybe give them a good pop to the mouth. It’s not so easy anymore. Bullying can not only be remote, but anonymous. I know that when I get a negative anonymous comment on this blog, it upsets me, and I have the ability to recognize that people who hide behind their anonymity are way sadder than I’ll ever be. Try telling that to a 10 year old who’s suddenly had their Facebook page bombarded by cruel comments. I used to sort of laugh at the notion of internet bullying, but I don’t anymore. I have come to see how oppressive something like that can truly be. And it makes me sad.

It makes me angry too. It makes me angry that in spite of the growing evidence, that schools continually chalk up bullying to “boys being boys” and “girls are just mean at that age”. Honestly, if they believe it’s just part of growing up to be harassed and tormented, I’d like to put them through it for a while and see what it’s like when “Men are being men, and women are just being mean.”

So anyway, I’m watching this movie trailer before the start of this dumb comedy that I didn’t even get to see all the way through because of a power outage, and I find myself crying. There’s nothing quite like sitting alone in a movie theater and crying at a fucking preview.

It’s okay… you can make fun of me for getting emotional. If you don’t get at least a little gut-kick feeling when you see old photos of a kid who’s now dead over something so fucking preventable as being pushed around on the playground, I feel sorry for you.

I’m still not to my main point…

The movie has been rated R by the Motion Picture Association of America (MPAA), which means that any kid under 17 can’t get in without being escorted by an adult, and even worse the film won’t be able to be screened in Middle Schools and High Schools without permission slips being sent home and signed. That is… the worst thing ever.

Everything about this bothers me, and I’m not alone. A 17 year old girl in Michigan started a petition to get the rating changed to PG13, and has garnered over three hundred THOUSAND signatures. Among the signers are state governors, CEOs of movie theater chains, and many movie stars. The MPAA has so far declined to change the rating.

I started thinking about how myopic the MPAA has decided to be on this issue, and how offensive that is to me…

It’s easily arguable that the most important demographic to see this film are 13-17 year olds. How many hundreds of bullied kids could benefit from just the thought that they’re not alone in the world, or that people care about them?

Maybe there are just as many bullies who could see a real family, truly affected by the death of a kid who was mercilessly bullied. Maybe just one or two of them will realize that telling a kid they should be dead isn’t the best way to conduct themselves.

Maybe, and excuse me for being dramatic, but a life would be saved.

It makes me so sad to think about those kids who probably just wanted to go about their lives, and get through the high school with the least amount of friction, just like the rest of us. How they were threatened and tormented, and taunted until they couldn’t take it anymore.

A quote from Tyler Long’s (the 17 year old) father breaks my heart…. “They took his pride from him. He was a hollow person.”

I’m sorry, but no 17 year old kid should be hollow. Especially at the hands of some other 17 year old kid who, had the breaks gone slightly another way, could have been in that same position of having the never-ending gall to be different.

It just seems to be getting worse, and more pervasive, and aggressive, so the fact that the MPAA has decided to be sticklers on this issue of content offends me to my core.

I remember when I was 15 being showed Schindler’s List. I defy a single parent to say 15 is too young to learn about the Holocaust. I guess I needed a permission slip, though I admit I was just as likely to have signed it myself at that age. I don’t remember either way.

Kids should have to watch “Bully”, just like I had to watch “Schindler’s List”. Don’t get me wrong… they should have to watch both, really. They should be forced to hear the pained interviews of friends and family when they talk about Ty Smalley, who was 11 years old when bullies made his life so miserable that he hung himself after school. And yeah, I’ve read that the kid could give as much as he could take or whatever, but fuck that. He’s the one who they broke. It should never have happened. I don’t care if he was a Junior Hell’s Angel. He’s the broken one at the end.

I don’t want to belabor a point unnecessarily, but think about your life when you were eleven. I was in 5th or 6th grade. I had my first kiss the Summer in between. I performed in my first play. I had crushes on various girls I don’t even remember now. I had some good teachers, and good friends, a cat named Chip and 2 crazy-ass beagle dogs, and generally my life was pretty solid.

If someone told me a kid in my class had killed themself, I am pretty sure I wouldn’t have totally even understood the concept. How does that happen?

How does it happen?

The kids who are causing this insurmountable pain need to see. They shouldn’t be allowed to wait until they’re seventeen based on the MPAA. They should be forced to watch as Ty Smalley’s father says this:

There's answers out there. ... I don't know what the answers are, but there are people who do. There are people that have the answers. We need to get the world involved. We need to find those people. We need to find that one person that can make a difference. And if we can't find that one, we're going to find 100,000 of them. And we're all going to put our heads together and we're going to come up with a solution ... if you really want to learn what suicide by bullying is all about, talk to the people who are living the nightmare. We haven't done Ty's last load of laundry, because it still smells like him. We haven't washed his sheets because I can go in there and lay on his bed and still smell my boy. You want to learn what bullying and suicide is all about, you talk directly to the people that it affects the most.
 
First and foremost I hold myself completely responsible for what has happened to my son. Ultimately my son's safety rested in my hands. I was responsible for my son's safety. I'm his DAD! ... It's my job to protect him. No matter what. No matter where he was. It was my job to protect him
.
I’m sorry this is a little rambling, but I’m upset. I don’t understand how the stupid MPAA can be so obtuse about this. It’s not South Park they’re talking about. It’s a documentary about kids being bullied. It’s a real thing. A problem.

I admit that I find some of the celebrities speaking out about this to be somewhat disingenuous and maybe that’s my own cynicism, but it doesn’t mean they’re wrong. They’re, in fact, completely right. The MPAA needs to adjust this. Make the movie unrated. But the fact that they’re saying things like “It’s our job to warn parents…”. It’s bullshit. It’s offensive. For my money, there’s not a single parent out there who should object to their kids seeing this movie.

For the kids who are bullied, I’ll say it again… They need to know they aren’t alone. They need to know that people in positions of power care about them, and they need to know that they’re safe. Not just when they go to school, but when they log-in to their computers in their homes to do homework or even to watch videos of great dunkers on YouTube. They should be safe not to fear a constant barrage of torment.

Just as importantly, the bullies themselves need to know they aren’t protected from punishment just because they fall back on the excuse of “boys will be boys”. They need to see the consequences.

So that’s enough. I’ve vented, and now I want you to think about it, and if you agree with me, click through here and electronically sign the petition to lower the MPAA rating. I realize you may not have seen this movie. I’m stating my opinion that it doesn’t matter.

It should be shown.

Click here to Sign

Monday, February 27, 2012

Leave it Alone



I started writing a blog about The Oscars, but I couldn’t bring myself to care about any of the winners all that much. I will say that in a lot of years I would be outraged that The Artist won over something that will ultimately be seen as a far greater movie, since you know…The Artist is all flash, and no substance, but you know… I look at the other movies nominated, and while I really liked The Descendants and Moneyball, it’s pretty difficult to argue that they’re much better than The Artist, so… congratulations Frenchies!

Of course, the Oscars did get me thinking about movies, and the nature of them, and whatnot, and they’ve convinced me to finally write my blog about my current biggest pet peeve in the realm of movie making.

Does anyone remember the absolutely insane fervor of May 1999 when the first Star Wars prequel was released? It was fucking CRAZY. Like… There were articles, and news items, and interviews. Rumor of a new trailer would sell out a theatre for some afternoon show of some horrible March release movie. I remember going to meet my friends for the Midnight show, and sitting in the theatre for hours. People were dressed up. Getting crazy. My friends were asking Star Wars trivia. It  was the first enormous midnight release movie, paving the way for every tween who stays up for days for Twilight.

I remember the lights going down, and the incredible electricity in the air. The palpable anticipation of the start of the movie many of these people had waited 18 years to see. The opening titles started “A long time ago…” and people went insane. It was so loud I remember involuntarily laughing at the whole business. It was like a rock concert.

Every light saber resulted in cheers. Every throwback reference resulted in knowing laughter. Every time we saw a character we’d come to love it was greeted with raucous applause. Every moment was met with baited breath.

When the final credits rolled, the place was like a madhouse. People were cheering and shouting and chanting “Show it again” and before I knew it, there were light saber fights in the aisles and people leaving the theatre and getting in line for the first showing in the morning, and all of the rest. It was a fucking sensation, and I was just as caught up in it as anyone else.

Nobody bothered to tell any of us how incredibly shitty it was.

It wouldn’t have mattered. We were too invested. We were too far down the rabbit hole of a sycophantic fugue state. We NEEDED it to be good. There was no way it would register otherwise.

That state must have lasted all Summer, because I am fairly certain I saw it 5 more times in the theater, and I loved it each time.

I ignored the discussions about how boring the politics were (“They set up what comes next”, I’d say). I paid little attention to the complaints about the acting of Jake Lloyd (“He’s just a little kid!”). I defended Jar Jar Binks against the onslaught of racial criticism (“Um… He’s funny!”)

Then, through all of the haze, I didn’t watch it again for 13 years.

In the meantime, I watched Attack of the Clones and found myself bored through a lot of it. I watched “Revenge of the Sith” and found myself groaning over the dialogue and the huge holes in logic and continuity.

I started questioning those movies more and more. The haze and excitement and anticipation started to diminish, and the harsh light of reality started beating down. Part of this, I have to believe, has to do with The Lord of the Rings. These were highly anticipated movies that absolutely killed it from beginning to end in terms of writing, acting, effects, and overall story telling. Arguably the fans of these books were as rabid as any George Lucas ever encountered, even if the volume wasn’t as high. As every LOTR fan left each film with a sense of pride and satisfaction, the true feelings of the Star Wars fans became more raw and haggard.

Then… to top it all off… I went to see the re-release of The Phantom Menace, hoping that the 3D would somehow bring it all together.

It didn’t.

That movie is fucking atrocious.

I’m sorry to say it. I believe I really did love it once upon a time, but either my tastes have matured, or the halcyon days of anticipation had truly clouded my thoughts (much like a Jedi).

The script is one of the worst I’ve ever heard. The acting, outside of Liam Neeson, is unbelievably bad. (Jake Lloyd, who at one time garnered defense is… completely indefensible. There had to have been better child actors out there. There had to have been. I can’t accept otherwise). The effects are great, that’s true, but there are too many. Back in the day, Lucas had to be creative to make visually interesting scenes. This movie makes him lean on the effects too much.  Let’s not even talk about how self-referential it all is… The totally Americanized sports announcing team might be the dumbest throw-in I’ve ever seen in a movie.

And then there’s Jar Jar. The problem with Jar Jar is that his character DOES serve a purpose, but my god… So offensive. I know that Lucas attributed a lot of the Jar Jar dialogue to his little kid, and maybe that’s true, but if it is… that little kid needs to do some self examination, because they are racist as shit.

Anyway… All of that, and I haven’t even articulated my pet peeve.

Despite all of the anticipation and excitement, nobody was sitting around waiting for another Star Wars movie. The story was done. Nobody really cared all that much about where Darth Vader came from, unless they were huge Star Wars fans, and they already knew. There was no clamoring until silly George Lucas announced he was working on the prequels. It was dead. It was resting. The most controversial thing to come up in the Star Wars universe was whether Lucas ruined the originals by doctoring them in the re-releases. Han shot first. So the fuck what?

So, without active demand, why in the world couldn’t he have made a better movie? The pressure was off. He could have had a damned contest for the best screen play and gotten 500 great scripts from all of those obsessive Star Wars fans who probably know the universe better than Lucas does at this point. He could have done literally anything he wanted to make the best possible version of that story, and instead we end up with damned “Mr. Tambo” Jar Jar Binks, and Jake Lloyd shouting “Yippee” like a youth from the 1960s. (Long time ago indeed).

That’s my pet peeve.

With no pressure, and no clamor, why in the hell can’t they make better unanticipated sequels?

I touched on it briefly during my movie recap for 2011… One of the reasons Pirates of the Caribbean was my worst movie of the year was due to this phenomenon.

The Pirates trilogy was over. They’d wrapped the story. There was no need or specific demand for more, and yet they pushed through another Jack Sparrow story without so much as a single story editor. Without even the teensiest bit of passion. It’s so disappointing when all semblance of guise is dropped, and the money grab we all know it to be is just bared to the world.

My other favorite example of this is the Indiana Jones Disaster of 2008.

Indiana Jones and the Last Crusade came out in 1989, and was pretty much universally loved by anyone that cared about those kinds of movies. It’s certainly my favorite one from start to finish. It’s still 100% watchable. And while there’d been rumors for years of another installment for years, the answer they always gave was “We’re always interested, but we’re really waiting for the perfect script.”

I wonder if they’re still waiting somewhere, because ALIENS? Are they fucking serious? I’m still furious. One of the most interesting and timeless things about the Indiana Jones movies is how neatly they intertwined religion, archeology, and mysticism. Throwing in fucking aliens stretches credulity. Giving Indy some dumbass, greaser son (played by one of the least likable actors in Hollywood) only weighed it down. Bringing back Karen Allen, looking bizarre, was just a bad choice.

Look.. I get that Harrison Ford isn’t getting any younger, so it makes sense that they had to account for that… except that they didn’t have to. They didn’t have to make it at all. So… why make something totally shitty?

The Hobbit is coming out soon. The first trailer got something like 8 bazillion hits on YouTube. Another movie where there was interest, but not necessarily demand. It’ll have been 9 years since Return of the King. Hopefully Peter Jackson recognizes the opportunity to come in and stick the landing.

I’ve heard rumors for years about another Ghostbusters movie. I can tell you that I’m not holding my breath, but if they do get it together, they better do it right. I have faith that they’ll wait til the right script comes along.

Anyway, this is my plea… If you don’t have to make a sequel (Twilight, Harry Potter, Hunger Games), then wait until you have good reason to make one. Don’t be Pirates of the Caribbean: On Stranger Tides” or Indiana Jones and the Kingdom of the Crystal Skull or Star Wars: The Phantom Menace. I’m begging you.

If you cared about the first ones, care about the others.

And since I can’t help myself, here’s a small observation on the Oscars.

The Artist won, making yet another Best Picture winner I was rooting against. I’ve been really actively following the Oscars for about 20 years, starting with Unforgiven’s win in 1993. Here are some personal opinion stats.

Of the Best Picture winners, I’ve only agreed with 6. (Unforgiven, Schindlers List, Braveheart, American Beauty, Return of the King, and No Country for Old Men).

I’ve actively disliked 4 (Titanic, Shakespeare in Love, The Artist, and Crash).

I’ve been outraged for various reasons (shut up, I’m dramatic) by 5 (Titanic, Shakespeare in Love, Crash, Chicago, and A Beautiful Mind).

My favorite film of the year has not even been nominated a few times… (50/50, Children of Men, Road to Perdition, Pan’s Labyrinth).

Some other thoughts…

There were some good years… The year The Departed beat Little Miss Sunshine. The year Million Dollar Baby beat The Aviator, Finding Neverland, and Sideways (Wow). The year Forrest Gump beat Quiz Show, Pulp Fiction, and Shawshank… (Holy…)

At least one year featured a winner that could arguably have been the WORST nominee:
Titanic beat out As Good as it Gets, The Full Monty, Good Will Hunting, and L.A. Confidential.

If I’m having a “BEST” Best Picture Winner of the Past 20 years, the Nominees are:

Unforgiven, Schindler’s List, Forrest Gump, Braveheart, The English Patient, Titanic, Shakespeare in Love, American Beauty, Gladiator, A Beautiful Mind, Chicago, The Return of the King, Million Dollar Baby, Crash, The Departed, No Country for Old Men, Slumdog Millionaire, The Hurt Locker, The Kings Speech, and The Artist

You know what… That’s for another blog. Stay tuned for the Best Picture Tournament.

Friday, January 20, 2012

The 2011 Muchacho Movie Rankings: Part 2... The Golden Muchachos


I’m back for Part 2 of my 2011 Movie Blog Extravaganza! Also known as the less intense and overwhelming portion.

In Part 1, you may recall that I talked forever about a lot of movies. Some good, some bad, but most importantly, I talked a lot.

Part 2 will concentrate on the Golden Muchacho Awards. They’re basically like the Oscars, but way more prestigious, and far more fictional.

Let’s Get Started!

Best Supporting Actor:
Patton Oswalt, Young Adult
Okay, so I hated this movie a lot, but Patton Oswalt somehow rose above the fray to put in one of the better performances of the year, supporting or not. I would have enjoyed hanging out with him in his garage, drinking Jawa Juice or whatever it was he was making in those barrels.

Honorable Mentions:
Simon Pegg, Mission Impossible: Ghost Protocol
Ryan Gosling, Crazy Stupid Love
TJ Miller, Our Idiot Brother\
Jonah Hill, Moneyball
Aziz Ansari, 30 Minutes or Less

Best Supporting Actress
Anna Kendrick, 50/50
I believe Ms. Kendrick is now a 2 time winner of this award. It’s possible I’m not totally rational when it comes to her, because I find her totally fascinating, and really really talented. In any case, I thought she was excellent in this movie, as the reluctant love interest. She managed to play the character’s struggle between all of these conflicting emotions so well, and so believably. I mean… I would not have wanted her as my therapist, but that may have kinda been the point.

Honorable Mentions:
Shailene Woodley, The Descendants
Bryce Dallas Howard, 50/50
Judi Dench, My Week with Marilyn
Maggie Smith, Harry Potter 7 pt. 2
Elle Fanning, Super 8

Weirdest Performance, Female and Male Respectively

Carla Gallo, We Bought a Zoo – A truly bizarre performance and an equally strangely written role. Gallo tends to play relatively likeable characters, but this one wasn’t at all. It was so weird. I didn’t understand the animosity she had, and it just seemed horned in to create some sort of drama.

Mickey Rourke, Immortals – Man… this dude is totally crazy. I mean, I get that he was playing this crazy horrible villain, but he kept spitting on the ground and into things. Big pieces of fruit or whatever he was eating. It was so clearly a character choice he was making that was just strange.

Biggest Waste of Good Actors

Pirates of the Caribbean – Depp, McShane, and Rush in the worst movie of the year.. This is the CLEAR winner. There are no runners up.

Best Looking Cast
Crazy Stupid Love – This movie wins just by sheer volume of attractive people. Ryan Gosling, Emma Stone, Julianne Moore, and Marisa Tomei. I mean… That’s some good looking dramedy.?

50/50 – Bryce Dallas Howard and Anna Kendrick.
The Girl With the Dragon Tattoo – Rooney Mara and Daniel Craig
Captain America – Chris Evans and Hayley Atwell.
X-Men – January Jonesm Jennifer Lawrence, and Fassbender.
Drive – Gosling and Carey Mulligan

I refuse to list Twilight, because that’s literally the only goal of the producers of this movie, and they still fail. I won’t even go into how the vampires are supposed to be the most beautiful creatures on Earth, and um… Not even close. Did you see how butchered Maggie Grace was? Yikes.

Toughest Scene to Watch

Water for Elephants – The beating of the elephant. There’s only one other possible choice, and I’ll mention that too, but this one was the only scene that I literally had to look away. I don’t know how they did it, but that was some super disturbing, super realistic animal cruelty. Don’t want to see it ever again.

Girl with the Dragon Tattoo – Rape of Lisbeth / Lisbeth gets her revenge. I mean… I don’t want to spoil it for people, but the horrible rape scene, followed by the subsequent revenge was pretty damned disturbing.  I’ll just say that while it was sort of enjoyable to see Lisbeth give that pervy guy a violent comeuppance, when she shoved that giant silver thing up his ass, and then kicked it. I’m certain the whole theater shuddered at once. That was rough.

Best Individual Scene – Comedy-
Bridesmaids – The Dress Shop Scene. If you haven’t seen it, my describing it to you will just seem gross. Just know that it was really fucking hilarious.

Best Individual Scene – Drama
50/50 – Pre-Surgery. The scene when Joseph Gordon Levitt is heading into surgery, and his fear and anxiety starts bubbling to the surface. A really powerful scene, excellently acted.

Best Actor
Joseph Gordon Levitt – 50/50
Look… This was a man’s performance. He hit every note, and he did it with subtlety and seeming ease. There was nothing showy about it, and it was kind of easy to get lost in the shuffle of bigger name performances this year, but for my money, JGL makes a potentially saccharine, manipulative role and squeezes every bit of humor and pathos out of it. He has 4 or 5 amazing scenes in this movie. Seriously, people. Buy it on BluRay and sit down and watch it. It’s just an excellent movie anchored by a really excellent performance by its lead.

Honorable Mentions
George Clooney, The Descendants
Brad Pitt, Moneyball
Steve Carell, Crazy Stupid Love
Matt Damon, We Bought a Zoo
Daniel Radcliffe, Harry Potter 7

Best Actress
Michelle Williams, My Week with Marilyn
Nobody touches it. She was so good, and so sad as Marilyn Monroe. I mean… I’ve talked a lot in other places about how I see a difference between the biopics where the actor impersonates a person (Ray and Monster as two highly lauded examples) and where the actor plays the person without doing an impression (Walk the Line). I much prefer the latter to the former since impressions seem gimmicky. There are occasional movies where the impression is so good, and so deep that you forget you’re not watching the real person. (Man on the Moon is my favorite of these.). Well.. Michelle Williams can be added to this list. And for the record, Jim Carrey was robbed.

Honorable Mentions
Carey Mulligan, Drive
Kristin Wiig, Bridesmaids
Rooney Mara, The Girl with the Dragon Tattoo